Artisanal Cocktails

I recently received a copy of Scott Beattie’s beautiful new book, “Artisanal Cocktails: Drinks Inspired by the Seasons from the Bar at Cyrus” in the mail.

I believe this had something to do with the tender mercies of the Mixoloseum crowd.

I’ve been interested in Mr. Beattie’s cocktails for some time now.

He has taken the seasonal, fresh bar to new extremes.  Experimenting with techniques and ingredients that others don’t even dream of.

As someone who has been known to include homemade granita and scented geranium leaves in cocktails (see the Rosey Fizz), I find his experiments and cocktail creations intellectually fascinating.

While he doesn’t quite take things to the extremes of some of the East Coast Mixologists, there is a lot here of interest.

However, that is also a problem, when we’re talking about whether it is likely that any of these cocktails will get made.

I have a relatively well stocked bar at home.  Well enough, anyway, to make just about any cocktail called for in the “Savoy Cocktail Book”.

Looking through Mr. Beattie’s book, I am having a real problem finding a cocktail I could make without taking a trip to Le Sanctuaire, the farmers’ market, whole foods, the liquor store, and then spending a couple hours in the kitchen doing prep.

Now, as someone who has called for homemade granita in an original cocktail, there’s definitely a bit of, “Hello Kettle, meet Pot,” going on.  And, sure, I’m willing to allow a certain amount of envy or jealousy on my part.

But to dig a bit deeper, the real problem I have with Mr. Beattie’s cocktails is that they almost always seem to put other ingredients and flavors before those flavors provided by the spirits.

My favorite cocktails are the Manhattan, Sazerac, Old-Fashioned, Martini and variations thereupon.  They are all about the character of the spirit in the drink.

The alcohol in most of the original cocktails in “Artisanal Cocktails” is provided by flavored vodkas or lightly flavored rums.  And then whatever slight character these spirits might express are often covered up with a host of mixers, fruit juices, herbs, and spiced syrups.

It’s almost like there’s a distrust of using a spirit with too much character or having too much of the spirit’s flavor expressed in the drink.

Even the Manhattan in the book, the “Frankfort Manhattan”, is made using Bourbon infused with Vanilla and Citrus Peel!

I mean, if you wanted to make your own vermouth and mess with it by enhancing the vanilla and citrus character, that would be cool. Then use your custom Vermouth in Manhattan. I would be totally down with that.  But why on earth would you want to infuse perfectly good Bourbon with Vanilla Beans and Citrus Zest? What do you do with the rest of the bottle?

I guess that makes me profoundly ambivalent.

There is a lot of interest in “Artisanal Cocktails”.  It is a well written and beautifully photographed book.  There’s a lot to think about in the recipes, ingredients, and techniques.  Mr. Beattie is pushing the limits of what we think a mixed drink can or cannot be.  And having sampled some of the drinks, I can say they are delicious.

But to channel my middle-aged curmudgeon, I’m just not sure if they are “cocktails” or if they are fruit and herb beverages which just happen to have a shot of vodka in them.

Additional Reading:

Raising the Bar: Scott Beattie of Healdsburg’s Cyrus restaurant turns cocktail creation into an extreme sport

Grand Slam Cocktail

Grand Slam Cocktail

1/4 French Vermouth. (1/2 oz Dolin Dry Vermouth)
1/4 Italian Vermouth. (1/2 oz Vya Sweet Vermouth)
1/2 Swedish Punch. (1 oz Swedish Punch, eas recipe)

Shake (stir, please) well and strain into cocktail glass.

Unless you enjoy drinking lollipops, this is not for you…

The flavor is certainly interesting enough, but it is just too sweet.

Some bitters perhaps? Or maybe use Punt e Mes instead of regular sweet vermouth?

This post is one in a series documenting my ongoing effort to make all of the cocktails in the Savoy Cocktail Book, starting at the first, Abbey, and ending at the last, Zed.